Still using a 1D LUT? Unless you're shooting and working in monochrome, converting to a 3D LUT inside Lattice will ensure proper color-grading capability. Lattice will obligingly convert the Canon Log 2 files to Alexa Log C, which can be imported into Resolve for grading in a single, consistent and easy-to-manage color space. Rather, one should think of Lattice as a kind of LUT Swiss Army knife to manage and conform a wide array of color spaces, transfer functions, and profiles.įor instance, if you're shooting B- or C-roll on a Canon C300 Mark II, you may need to conform to the A camera, which might be an ARRI Alexa. To be clear: For all its capabilities, Lattice is not a color-grading tool, and is not intended to compete with or replace such all-powerful workhorse applications as DaVinci Resolve.
We have Lattice.įeaturing a characteristically simple Mac interface, Lattice is a versatile LUT-management tool that greatly facilitates working with multiple cameras recording in various color spaces and flavors of log. ctl files in what can be a very convoluted pipeline.įortunately, we have a simple tool to facilitate the LUT shenanigans. With the advent of the Academy Color Encoding System (ACES), things have improved, at least for high-end studio productions.īut what about the rest of us laboring in the hinterlands of mid-market indies and regional commercials? We’ll be toiling in the morass of 3D LUTs for a while, which means wrangling a bevy of. Many productions these days employ a patchwork array of cameras recording different color profiles and transfer functions. Just keeping the olio of color spaces and log profiles straight can be a daunting challenge. These days it has become quite common to employ a hodgepodge of camcorders on a single project - ARRI Alexa, Canon C300, Sony F55, Panasonic VariCam, GoPro, Blackmagic Design URSA, DSLRs. Many of us working on broadcast programs or feature films are shooting raw and/or multiple compressed formats, with different cameras utilizing various flavors of log. A Swiss Army Knife for Shooters Who Need to Cut Through the LUT Morass
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